2026 Q3 Singles
Khai Le
Points for Q3 PPAGLA Quarterly Contest 2026
Thomas Cordova 560 Points
Keith Birmingham 500 Points
Ted Soqui 500 Points
Ringo Chiu 420 Points
Cristina Salvador Klenz 420 Points
Mindy Schauer 330 Points
Gina Ferazzi 280 Points
Michael Goulding 260 Points
Jill Connelly 250 Points
Terry Pierson 250 Points
Ghawam Kouchaki 240 Points
Patrick T. Fallon 200 Points
Robert Hanashiro 150 Points
Nancy Newman 140 Points
Jennifer Cappuccio Maher 130 Points
Jeff Gritchen 100 Points
Genaro Molina 90 Points
Sarah Reingewirtz 90 Points
Chris Torres 90 Points
Paul Rodriguez 80 Points
Scott Mitchell 60 Points
J.W. Hendricks 50 Points
Libby Cline Birmingham 40 Points
Kirby Lee 40 Points
Brandon Richardson 40 Points
Cayo Seals 40 Points
Don Bartletti 30 Points
Scott Harrison 20 Points
Karen Loberg 20 Points
Birgit Wennekamp 20 Points
Dana Rene White 20 Points
Quarter 3 judges: Monica Almeida, Shae Hammond, Nhat V. Meyer
General News
First Place: Great moment with the wave so big and people standing so casually.
Second Place: This great political photo transcends what could be a standard podium shot. The creative symmetrical composition pulls it all together to give it impact. Oftentimes when shooting politics, the best photos are the moments in between, capturing the emotion and quirkiness of supporters on the periphery instead of the main attraction. This one also made me stop and look.j
Third Place: Funny moment - may have been higher but had some /technical toning issues...
Feature
First Place: A funny moment. The leg in the frame above his head really makes this photo great!
Second Place: Nice, clean feature, great caption.
Third Place: This feature photo of a stoic terracotta warrior surrounded by a sea of gawking faces is simply fun to look at. A great feature photo should be able to stand on its own and tell a story without a lot of explanation by capturing a spontaneous moment or interesting scene that is engaging and relatable. It should also surprise the viewer with something they haven’t already seen. This photo covers all the bases.
Portrait
First Place: Nice light and good balance with the flowers.
Second Place: Nice found portrait at the fair - would have been first but no id on person and bad date - captions are important!
Third Place: This is a very strong environmental portrait that works on all levels but most of all it tells a story by capturing an authentic expression, unguarded moment, mood and emotion that goes beyond the surface during a routine portrait shoot. The low angle and creative composition, incorporating body language and framed by the natural environment of the pastor’s burned home pulls it all together along with the soft ambient light in open shade.
A great portrait can tell a story and also evoke emotion without a lot of fancy lighting tricks or contrived poses.
Pictoral
First Place: Interesting compositions, pretty colors.
Second Place: Nice use of the lunar eclipse
Third Place: It’s not an obvious choice, yet the appeal is in its subtlety: a quiet nightscape, shadow, light and patterns at the Port of Los Angeles.
Spot News
First Place: A big news story the drone really showed the extent of the damage.
Second Place: Big waves.
Third Place: It's okay - a bit busy.
Entertainment
Sports Features
First Place: Great facial expression!
Second Place: Nice story telling image - got the players face before being completely covered by gatorade.
Third Place: Keep coming back to look at this photo for a second and third time after clicking through all the others. It stands out in its uniqueness. It is both focused and nuanced and conveys emotion without showing any faces.
Sports Action
First Place: This sports photo answers the request, “show me something I’ve never seen before,” which is something hard to do in a sports photo. This one made me stop and look. We’ve all seen slider shots, but not in such granular detail and emotion. I'm still wondering, was he safe or not?
Second Place: : Interesting action and funny faces
Third Place: Nice moment, good tension
Fire
First Place: Only five entries... this one was fine.
Second Place: Nice silhouette with the water droplets and smoke.
Third Place: Good diagonal lines
Meet YOUR judgeS
Monica Almeida has built a career on quiet observation, focusing a trained eye to capture subtle cues of expression, shifting mood, light and pattern. She developed her skills as a photojournalist for major metropolitan newspapers, able to move quickly and shoot decisively, whether covering breaking news or creating a formal portrait. She is currently an independent photographer based in Los Angeles, her hometown. As a staff photographer for The New York Times for 24 years she travelled thousands of miles photographing assignments nationwide. As the sole Los Angeles bureau photographer, she covered major news events, politics, features and entertainment throughout the western U.S., always with a national point of view. She has photographed 20 Academy Awards ceremonies and has covered every presidential campaign since 1992. Monica’s images give a strong sense of place. They humanize issues often debated in dry and abstract terms, described in soundbites and policy plans - from poverty and the economy, immigration or the environment. Her images transform data-driven news reports into compelling narratives --- literally putting a face to them. Her experience encompasses a full spectrum of subjects and situations and she is comfortable hunting for photos at crowded media events or in remote landscapes, the only photographer for miles around. And she is equally adept working independently or in close collaboration with writers, photo editors and art directors; working on long term projects or shooting, editing and filing remotely on tight deadlines. Born in East Los Angeles, Monica began her career as a photo intern and freelance photographer at the Los Angeles Times, where she was on a team of journalists that produced a Pulitzer Prize winning series on Southern California's Latino community. She moved to New York City in 1986 to work as a staff photographer at the New York Daily News and travelled to Southeast Asia to document the lives of Amerasian teenagers. She joined the staff of The New York Times in 1992 and was promoted to National Photographer based in Los Angeles in 1997. She majored in photojournalism at California State University Long Beach and studied fine art and documentary photography at the Otis Art Institute of Parsons School of Design in Los Angeles. Her photographs have been published in "Campaigns, A Century of Presidential Races", "Requiem for the Heartland, the Oklahoma City Bombing", "A Passage to Vietnam", "A Day in the Life of Ireland", "A Day in the Life of Italy", "One Earth", "The Power to Heal" and "A Day in the Life of California".
Shae Hammond is a Bay Area News Group photojournalist for The Mercury News and East Bay Times. A native of the San Fernando Valley, she graduated from California State University, Northridge, where she received a BA degree in media and journalism. As a freelance photographer, her work was featured in several publications before she joined the Bay Area News Group.
Nhat V. Meyer has been a staff photographer for the Bay Area News Group since 2000. He previously worked at The Virginian-Pilot in Norfolk, Va. for three years. He graduated with a degree in photojournalism from the University of Missouri. He covers all types of assignments, including news, features, and business, with an emphasis on sports. He has photographed five Olympics, four World Series, three Super Bowls, NBA playoffs, and many other professional sports as well as college and high school sports.